How to calculate your room modes so that you will better understand the overall color of your space
The difference between the various types of acoustic treatments so that you can choose the best option for your space, and not waste time and money in the process
The optimal placement for acoustic treatment to most effectively control room echo and reflections
The inside scoop on the most affordable resources for acoustic treatment
How to get professional quality results with gear that you already own
Which pieces of equipment are essential to taking your sound to the next level
Why you don’t need certain pieces of gear
If the Mac vs. PC debate is really worth the argument
The one piece of gear that can truly be a game-changer
Why your recording level is the most important factor in the signal flow chain
The optimal level to record your vocals
Which piece of recording gear has the biggest impact on recording levels
Why ignoring recording levels is ruining your recordings
To better understand frequency, and how it affects your perception of sound
The role that equalizers play in achieving radio-quality mixes
The essential frequencies that you need to know to get professional quality results
How to effectively use an equalizer to become an audio ninja
How to use a compressor to your advantage
Secret compression recipes that will supercharge your mixes
How to use compressors to achieve louder, punchier recordings
The essential parameters of compression
Why balance is the core ingredient of audio mixing
A little-known mixing technique that will consistently lead to more balanced mixes
How to use “references” to produce industry-quality recordings
The ultimate tools used for balance
The audio effects that dominate major label recordings
How to use reverb to get the sound that you’ve been looking for
Why delay is the one effect that you need to start using now
How distortion can liven up your vocal recordings
Instructor: Mike Moore
With more than a decade of recording and production experience, Mike has worked on projects that have ranged from Hip-Hop to Rock to R&B to Jazz, and more.
A prolific music producer, his work has been placed with numerous artists and media companies. Mike has also worked on radio as a show producer and host.
Frequently Asked Questions
There is Open Enrollment for this program. It is one-on-one, so as long as we have space and your schedule aligns with our course availability, you can start as soon as you enroll.
Not at all. Some of our students are absolute beginners. These students tend to do very well in our program because they haven’t picked up a lot of bad audio engineering habits.
The majority of our students are adult learners (18+). However, we have trained younger students, as well. Any student who is younger than 18 years of age will have to be enrolled by a parent or legal guardian.
In today’s music industry, there are a number of popular software programs that our students like to use. Our core training is the craft of Audio Engineering, which is the same regardless of the software program used. We will also provide demonstrations and training in Pro Tools, Logic Pro X, and FL Studio.
It is best to focus on one software program. We understand that students entering our program will most likely have already invested in software. That is why we make sure that we are able to offer training in a number of different platforms.
WE DO NOT RECOMMEND BOUNCING AROUND IN DIFFERENT SOFTWARE PROGRAMS. PICK ONE FOR AUDIO ENGINEERING AND MASTER IT.
The only equipment that you will need to start the program is a computer and a stable internet connection. In the first class, we will make recommendations as to the equipment that would be beneficial for your progress and development. In addition to a computer, we also recommend a D.A.W. (i.e. recording software), audio interface, microphone, studio monitors and/or headphones.
You’ll want to maintain an excellent attendance record. That is the best way to ensure the stellar results that have realized by our past graduates. However, if you have to miss a class due to work, schedule conflict, illness, etc., the content will be available online (unless it’s an in-studio project or recording). There won’t be any make-up classes, but you’ll definitely be able to stay caught up on the core curriculum.
While no audio engineering program can guarantee employment at the completion of training, you’ll have the general requirements to submit your resume and represent yourself professionally.
There are no guarantees that other companies will be hiring or will hire you. But, you’ll be 10x more experienced, trained and prepared than you are today.
In addition, Lil' Drummaboy Recordings has a limited number of internship opportunities available to those students who stand out and excel in our program.
Yes. We do offer our own unique financing option. This allows you to set up monthly installments for the program.
Once you’ve completed your free strategy session, you’ll be able to learn more about our zero-interest financing option that does not require a credit check.
Our founder, Samori Coles, began his career more than 25 years ago as an independent artist and music producer. He built Lil’ Drummaboy Recordings to provide other independents with the training, guidance, and mentorship that he wishes he had all those years ago.
We understand you like no other school does. We know exactly what you need to accomplish your goals.
There is no fluff with us. You will get real-world training, focus and attention that will significantly develop your proficiency and skills as an audio engineer. We can guarantee this because we have been training music creators just like you for more than 20 years.
No. The Audio Engineering Blueprint focuses on the craft of audio engineering. You will be trained to record, edit, mix, and master music and audio projects at a professional level.
Audio Engineers are the folks in the studio that handle the recording process. They make sure that the projects that they engineer have that major-label quality that is competitive with the music of other artists in the industry.
If you want to learn how to make beats, you can check out our Music Production School.
Audio Engineering is the process of recording, editing, mixing, and/or mastering audio projects.
Audio Engineers work in the music industry, film industry, radio, TV, podcasts, live sound, audio/visual departments in colleges and companies, etc. They are sonic anchors that ensure that any of the sound involved in any of these industries is of the highest quality.
While many of our students have a desire to either work in the music industry or achieve better sounding recordings in their home studios, there are many career options for audio engineers.
Audio Engineering is a trade similar to plumbing, audio mechanics, carpentry, etc. It’s a specific skillset that offers unique opportunities that many aspiring music creators aren’t aware of.
This version of The Audio Engineering Blueprint is hybrid. Three weeks out of every month, we'll meet live online. One week out of every month, we will meet in a real recording studio for hands-on training.
Yes. You will receive a certificate of completion when you graduate from our Audio Engineering School.
@ Lil' Drummaboy Recordings